Single Link 4:2:2, 4:4:4 (1 x BNC or Fiber LC*) *Avid DNxHD only supported for 1080 and 720 resolutionsĢ x slots, AJA Pak SSD media Pak256, Pak512, Pak1000* **25 and 29.97 requires Record Type>PsF selectionĪpple ProRes 4444, 4K/UltraHD/2K/HD up to 30 fps *Only 4 x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division Another advantage of using the Ethernet port is that multiple Ki Pro Ultra units can even be controlled from a single web interface making Ki Pro Ultra an ideal solution for multi-camera recordings. The unit features its own web based GUI that works with virtually all web browsers to provide you control via your attached computer. Additionally, you can use the integrated Ethernet port to access advanced remote control. You can remotely control the Ki Pro Ultra using the built-in RS-422 port. An integrated dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display. Fiber support is built-in requiring only optional fiber connectors. Ki Pro Ultra provides full resolution outputs for 4K, UltraHD and HD over quad, dual, single link 3G-SDI, and HDMI in/out. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI. The twin media drive bays on the Ki Pro Ultra allow extremely fast media changes and rollover recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity.įeaturing a high-resolution HD display for pristine monitoring of your material, and serving as your interface to Ki Pro's intuitive menu system. When using the Pak 256/Pak 512 or CF to Pak media adapter, you are limited to the ProRes 422 codec as your maximum quality recording. To record 4K at ProRes 4444 requires Pak 1000 media, for frame rates above 30fps, the highest quality codec available is 422 HQ. An optional adapter allows you to record to CFast 2.0 cards. The Ki Pro Ultra will record to optional Pak 256, Pak 512, and Pak 1000 media. This lets you choose the balance of image fidelity and file size that's right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems. The Ki Pro Ultra records to five quality levels of Apple ProRes including Apple ProRes 4444. The unit also supports select PsF frame rates. You can record 4K in DCI or UHD format as well as 2K and HD in various progressive frame rates including 23.98, 25, 29.97, 30, 50, 59.94, and 60p. Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra suits a wide range of production and post environments. It offers flexible input and output connectivity including 3G-SDI, HDMI and even fiber, for powerful and efficient large raster and high frame rate workflows. Video replay and multichannel recording systemsįile based 4K/UltraHD/2K/HD video recorder and player with a built-in HD LCD monitor supports edit ready Apple ProRes files in a range of video formats and frame rates up to 4K 60p, or Avid DNxHD MXF files at HD resolutions. Digital media systems for Broadcast and Newsrooms
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